BasharTelesi

A development on the Athens Riviera built from stacked horizontal planes. Each slab has an organically curved edge, so every floor reads as its own liquid volume rather than a level in a box.

Deep balconies, full-height glazing and planting along the slab edges blur the line between the rooms and the trees around the site.

A calm block of honed light travertine. Deep-set windows in slim anthracite frames set up a varied rhythm of tall slots and wider panes, and timber-tone louvres temper the sun on the east face.

The glazed base recedes around a full-height lobby. Each upper floor holds two open-plan suites around one shared core, and the top floor steps back behind an open stone frame and terrace.

A second option, with full-height glazing between stone piers, was developed in parallel.

Two towers rise from a podium planted in terraces that step down to the street, so the scale of the project is softened where people meet it.

Next to the illuminated minarets of the mosque, the development holds its ground without competing: a new landmark that respects the weight of the square.

Fluid towers rise from a landscaped podium on the shore, and their lit forms reflect in the water after dark.

A promenade draws people between the sea, the gardens and the shops. Under sculpted canopies the pace slows: the district is made for the evening walk as much as for what it contains.

Curves and warm timber run from the street to the top floor, giving the building movement without strain.

Arrival is unhurried: a generous canopy, sculpted planting and a lobby that glows from within.

The scheme reads the site as an urban gate. A monumental round figure faces the sea, wrapped in a perforated stone screen.

At ground level a public passage cuts through the building, so the institution opens to the city instead of closing itself off.

A landscape for days without an agenda. Cascading pools and planted islands set a natural rhythm that leads guests from the thatched bar to the water and back.

Each corner holds something: play areas for children, quiet places for couples, and seats for anyone who wants to sit and let the sea do the rest.

Stacked flats on a narrow infill plot. Each typical floor holds one two-bedroom flat around an open-to-sky light well, with the stair, lift and services gathered into a single core at the rear.

The street elevation is a deep white frame filled with staggered terracotta-toned lattice screens. A one-bedroom roof flat opens onto a terrace under a timber-lined canopy.

A family house built on openness. Clean white volumes, a warm natural palette and a timber screen soften the massing, so the house feels generous without weight.

The interior carries the same palette through the majlis, dining room, kitchen and private floor.

Crisp whitewashed volumes set against warm natural stone and timber.

Inside a private residential compound, the house balances openness and privacy through layered facades, dense planting and framed outdoor rooms.

A restaurant that changes with the hour. Steel and glass frame a garden conservatory among the trees, velvet banquettes and low light pull the lounge inward, and the copper bar anchors the room.

The project was followed from sketch through construction to the finished space.

A working studio with a hospitality temperament. The raw shell stays honest, with exposed services and polished concrete, and refined pieces are set into it: a curved brushed-steel desk, a woven brass screen, marble and travertine.

Amber glass and textiles carry warmth from room to room. Samples live on a backlit wall in the client lounge, so selections happen where clients sit.

The brand yellow becomes one sculpted object: a folded wedge of a reception desk, lit from below against brushed metal and a slim linear pendant.

The meeting room shifts to a quieter register of timber, tan leather and stone, with an oval table under a single long light.

A revised scheme, Timeless Modern, followed with a lighter table top and a walnut pendant.

Classic café design with modern touches. Elegant furniture sits in a black-and-white palette lifted by terracotta and brass.

An arched bar, a timber ceiling grid and curved joinery give the room its rhythm from storefront to counter.

One brand, three formats. Espresso da Napoli in Dubai takes its cue from Naples coffee culture, with dark timber joinery, glowing display counters and warm indirect light.

The City Centre venue in Manama develops that language into a larger, public café and lounge. The Dubai showroom is a hybrid: it sells coffee, offers short-stay workspace and works as a brand showroom.

A clean white-tile counter is set against a sage-green ceiling and walnut millwork.

Terrazzo flooring ties the café, the outdoor terrace and the back of house into one continuous surface.

A headquarters built around cross-functional teams. No one has a permanent desk, so staff move freely between settings through the day.

A yellow line along the main corridor and yellow desk screens carry one colour through the floor. The office is meant to work as a second home.

Offices for a shipping and logistics joint venture.

The scheme adapts the client’s global brand language to a regional workplace, with a planted lounge, a blue feature wall and open desks along the view.

Interiors for a family villa, briefed around entertaining and a high-end atmosphere without heaviness.

A light, airy palette encourages people to gather and lifts the scale of the whole house.

Classical Arabic architecture meets contemporary luxury. Double-height volumes and arched windows frame layers of marble, timber, brass and velvet.

The palette holds warm neutrals, deep wood tones and terracotta accents.